Sunday, June 21, 2015

The Life: Is Streaming the New CD?

According to theguardian.com, “by the end of 2014, 37m people around the world will be paying for streaming music, while 210m will be listening for free on advertising-supported services.”  Streaming is huge!  With services like Spotify, Pandora and Tidal, streaming music is a reality.  According to billboard.com, Agegote Y. (2014) writes, “Spotify has grown to more than 3 million paying subscribers in less than three years since launching here in July 2011.
The last time Spotify revealed user numbers in March 2013, it had 6 million paying subscribers globally. A key part of Spotify’s strategy is to offer free access to various levels of its service. It now has more than 40 million monthly active users including the 10 million paying subs – one in four.”  With the recent emergence of Tidal, huge entertainment figures are claiming ground in the music-streaming frontier.  Therefore, as you can see, streaming is a viable aspect of music consumption today.  Nevertheless, has it replaced the compact disc?
According to rollingstone.com, Kreps D. (2015) writes, “Digital and CD sales experienced staggering drops as nearly a fifth of music buyers stopped shopping for albums at major retailers.  Only 257 million albums – be it CD, vinyl or digital – were sold in 2014, an 11 percent drop from 2013's 289 million "Total Albums Sold" tally.”
Streaming numbers are up and physical cd sales are down.  With all these things considered, something feels missing.
I consider myself a serious music consumer.  I love to find new and upcoming acts, read bios, view visual art and of course, buy music.  With streaming becoming the industry standard, elements of music consumption are going extinct.  Everyone can remember the tragedy of September 11 2001.  Music was my only escape from the events that happened.  I can still remember everything vividly.  I closed my shop early where I worked.  The only thing open was the music store.  I brought Jay Z’s, “The Blueprint” and Fabolous’, “Street Dreams.”  I can remember ripping the plastic off the CD’s as I made my way home.  As the music blasted in my ears, I looked through the CD booklets’ pictures, lyrics and credits.  I will never forget this experience.  I cannot have this experience with a stream or even a digital I tunes download.  It’s just the music.  The only element of visual or written art included with streaming is usually the album cover.  Not too many artists include lyrics, contributors and additional album art.  Music is suiting itself more for the “leisure” listeners.  Listeners that do not need all the accouterment, just the basic needs; a beat, vocal melody with sparing lyrics.
There are still consumers looking for a solid music experience.  The same article at rollingstone.com, Kreps D. (2015) goes on to say, “Vinyl continues to be a noteworthy music industry trend, and in 2014, the 12-inch had its best year in decades, selling 9.2 million units.  That's a 51.8 percent increase over 2013.”  Vinyl is a very outdated form of audio technology trumped by the 8-track, cassette, cd and now streaming.  People are still buying vinyl.  Vinyl provides a unique experience.  Even the sound of vinyl records is different.  This article can interpret a need for a better-rounded music experience that people need today.

In conclusion, streaming is a great way to consume music.  There are elements missing with this system but there can be technological advances to fill these holes.  I can say personally, I am not a streamer.  I love the physical feel of music.  In the occasion that I do stream, I do not feel the connection from the artist.  The music is more party oriented and the lyrics can be lacking substance to create timeless art.  Is music becoming a business and leaving the realm of art?  This is another discussion…

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